The most successful designers are those who seek to have a rich ideas. Without diversifying ideas, ordinary ideas become stagnant and lose their advantages. In the end, the designer loses the ability to innovate. So the designer is always keen to change the way of meditation for everything that surrounds it, which leads to the discovery of new relationships between things, and combined them to form innovative concepts are unfamiliar, which in turn lead to the development of creative thinking skills and not compatible with the latest modern technology. Hence the problem of research, the habit of the local furniture designer to draw inspiration from the forms in a logical manner may lead to the cessation of creativity in a moment. Which ultimately leads to the transformation of furniture from a functional composition of an innovative artistic nature, to a rigid thin g that we use in its daily form and does not carry between it what we call the realization of the mind and hopes aspects of beauty. What are the illogical trends of the formal inspiration provided by modern technology and computer programs? And how does inspiration come from using these nonsensical trends to revolutionize the world of furniture design? The research aims to infer the illogical formal trends resulting from the integration of modern digital techniques with logical formal values. By analyzing some of the contemporary furniture designers' work. To explain the effect of the informal and formal trends on local furniture. The research follows the descriptive analytical method. Modern technology has enhanced innovation in furniture design globally by discovering new relationships between objects, because technological advances in science have created a different vision of things. The flexibility of computer programs has enabled the designer to add, delete and merge quickly and easily, enabling him to create new things. Modern technology has also added illusory formality to the inspiration of global furniture design, such as fragmentation of formation, which is in contrast to the principle of unity in logical formal values. Other dimensions were created as a fourth addition within the composition by giving a hint of fast and slow motion. It also enabled the global designer to exploit the possibilities of the third dimension better than before. The existence of economic, technical, technological and cultural restrictions on many local furniture has led to the codification of the vulnerability of modern digital technologies, causing the absence of important foundations such as balance, harmony and unity in some pieces of local furniture.